Olemme avoinna ma–pe 9–18, la 10–15
Tykistönkatu 7, 00260 Helsinki
Puh. 09 443 116, firstname.lastname@example.org
Oxford University Press
Amerikkalainen pianisti Martin Katz on kirjansa otsikon veroinen täydellinen yhteistyökumppani; hän on toiminut maineikkaiden solistien säestäjänä eri puolella maailmaa yli neljänkymmenen vuoden ajan ja opettanut säestämisen jaloa taitoa loppuunmyydyillä mestarikursseilla lähes yhtä kauan, muun muassa Suomessa. Kirja tarjoaa kaikki tarvittavat työkalut ensiluokkaiseen pianistiseen yhteistyöhön, etenkin laulajien kanssa.
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Take more than forty years of partnering celebrated soloists in concerts all over the world, add nearly thirty years of teaching the art of accompanying, and you have the qualifications for such an audacious title as The Complete Collaborator. All the tools for understanding and executing first-class collaborative piano are here, paired with audio recordings of many of the musical examples performed by the author himself, along with two vocalists, on a companion website.
The obvious topics: breathing, languages, flexibility, and creating a collaborative atmosphere are discussed at length, articulated clearly for the curious novice and proving beneficial even for the experienced professional. In addition, two significant chapters deal with orchestral accompaniment, reflecting today's requirements for any professional accompanist. Oft-neglected details such as beginning a piece together, telling stories with piano solos, tuning, and balance between the players are also covered herein.
Dubbed the "Dean of Accompanists" by the Los Angeles Times, this teacher of sold-out masters' classes presents his material clearly and incisively, but always with the humor and wit for which he is known. Whether it be read by the curious novice, the amateur who wants to accompany as best he can, or the experienced professional seeking confirmation or a new look at the role of any partner, Martin Katz's The Complete Collaborator is all one needs.
1: An Introduction: What is Collaboration Anyway?
2: Breathing and Singing
3: The Word is the Thing
4: The Pianist as Designer
5: The Pianist as Director
6: Kitchen Tools
7: The Bother of Balance
8: The Steinway Philharmonic
9: More about Orchestral Playing
10: Odds and Ends
11: Is there Life after Singers?
12: In Conclusion: A Pep-Talk