Nuotteja ja kirjoja kaupassa 60 013 kappaletta ● Erikoistuotteet tilauksesta
Avoinna ma-pe klo 11-18, suljettu pääsiäisenä 29.3.-1.4.2024 | puh. 020 7070443 | Musiikkitalo, Mannerheimintie 13a B, 00100 HELSINKI | ostinato@ostinato.fi
Schelb
Sonata 2 (vla,pf)
Hinta: 27,00
€
Ei varastossa. Toimitusaika 7-14 vrk.
Josef Schelb oli musiikkia rakastavan maalaislääkärin viides poika, syntyisin Bad Krozingerin -kaupungista lähellä Freiburgia. Schelb opiskeli musiikkia Sveitsissä, Baselin ja Geneven konservatorioissa.
With his 2nd Viola Sonata from 1959, Josef Schelb (18941977) gave the viola a representative work with the potential for a significant concert career despite the wealth of repertoire of this instrument, which has been popular from the Baroque to the present.
Josef Schelb, an exponent of the 20th-centurys so-called classical modernism, knew how to use a wide range of the instruments tonal possibilities for his typical, unmistakable personal style of those years, combining atonal-to-dodecaphonic structures with contrapuntal composing techniques. In the works four movements, sharply contrasting in tempo and expression, the emotional tension ranges from a lyrical, contemplative inwardness via a humorous, dance-like ease to expressive, rhythmically intricate staccato formulas. Originality, compositional mastery, inventiveness, and high viola characterstics coupled with a considerable demand of virtuosity are features of this work, now available for the first time in a published edition.
With his 2nd Viola Sonata from 1959, Josef Schelb (18941977) gave the viola a representative work with the potential for a significant concert career despite the wealth of repertoire of this instrument, which has been popular from the Baroque to the present.
Josef Schelb, an exponent of the 20th-centurys so-called classical modernism, knew how to use a wide range of the instruments tonal possibilities for his typical, unmistakable personal style of those years, combining atonal-to-dodecaphonic structures with contrapuntal composing techniques. In the works four movements, sharply contrasting in tempo and expression, the emotional tension ranges from a lyrical, contemplative inwardness via a humorous, dance-like ease to expressive, rhythmically intricate staccato formulas. Originality, compositional mastery, inventiveness, and high viola characterstics coupled with a considerable demand of virtuosity are features of this work, now available for the first time in a published edition.