Nuotteja ja kirjoja kaupassa 59 060 kappaletta ● Erikoistuotteet tilauksesta
Avoinna ma-pe klo 11-18 | puh. 020 7070443 | Musiikkitalo, Mannerheimintie 13a B, 00100 HELSINKI | ostinato@ostinato.fi
Berliner Blumentagebuch der Clara Schumann 1857-1859
Hinta: 19,90
€
Varastossa
Clara Schumann oli miehensä kuoleman jälkeen ahkera kukkienkerääjä. Tämä on facsimile Clara Schumannin "Kukkaispäiväkirjoista" vuosilta 1857-1859. Kasvien oheen kirjoitetut perusteelliset selitykset heijastelevat tärkeitä elämäkerrallisia ja taiteellisia tapahtumia.
Blooming Joy
Flowers played an important role in the lives of people of the 19th century picking them, binding them to wreaths, giving them as messages of friendship and love, using them to ornament a room or clothing, belonged to the forms of general sociability. It is within this context that Clara Schumanns flower diaries can be viewed: The first of the series was created in 1854, the year of Robert Schumanns admission to the Endenich mental institution, and was intended to share her inner and outer life with the initially personally unavailable invalid. In 1857, the meanwhile nearly 40-year-old Clara Schumann began her last flower diary, barely a year and a half after her husbands death. It reflects the travel stops of the pianist who was by now increasingly concertizing throughout central Europe and England, as well as her relationships with close friends, including especially the young Johannes Brahms who had presented her with the little volume expressly for her collections and annotations. The facsimiled diary pages of the exemplar preserved in the Staatsbibliothek Berlin are supplemented by biographical and botanical comments.
Blooming Joy
Flowers played an important role in the lives of people of the 19th century picking them, binding them to wreaths, giving them as messages of friendship and love, using them to ornament a room or clothing, belonged to the forms of general sociability. It is within this context that Clara Schumanns flower diaries can be viewed: The first of the series was created in 1854, the year of Robert Schumanns admission to the Endenich mental institution, and was intended to share her inner and outer life with the initially personally unavailable invalid. In 1857, the meanwhile nearly 40-year-old Clara Schumann began her last flower diary, barely a year and a half after her husbands death. It reflects the travel stops of the pianist who was by now increasingly concertizing throughout central Europe and England, as well as her relationships with close friends, including especially the young Johannes Brahms who had presented her with the little volume expressly for her collections and annotations. The facsimiled diary pages of the exemplar preserved in the Staatsbibliothek Berlin are supplemented by biographical and botanical comments.
